Therefore, instead of rescuing the highlights, I recommend safely bringing the highlight level up to a point where this area is somewhat hot. Bright values reinforce the aspects attributed to a sunny day.
This subconsciously tells us it’s likely to be summer. As a result, in media filmed at midday into the afternoon during the summer months, we’ll often see a bright sky area when facing the sun. With a lengthy amount of time in the sky and with the earth tilted closer to the sun, it’s a lot brighter in the summer. Therefore, when photographing during the winter, you typically get more dynamic landscapes, as the sun ventures towards the horizon quicker than it does in the summer. There are only those few hours at midday when the sun is at its brightest and highest. Why is this? The illusion of a summer day in February.ĭuring the summer, the sun is high in the sky for a prolonged period throughout the day. However, even though there are no winter elements within the frame, the image doesn’t fully project the summer atmosphere. It’s a beautiful, scenic location, and I’ve already set the grade up for where I want it to be. However, just because you can recover these details doesn’t mean you should. Therefore, even though I’m working in Resolve, you can take this information and apply it to your layer, node, effects panel, or whatever it may be in your software.Īs consumer cameras are increasingly housing better dynamic range and RAW image processing, filmmakers can now rescue highlights and shadows in a way that wasn’t possible several years ago. Instead, it’s more of a breakdown of individual tips and why they would be used. It should be noted that unlike our previous color grading tutorials, this isn’t a typical walkthrough.
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